Printing processes don't respond evenly. Most crush the highlights or block
up the shadows. A correction curve compensates — it reshapes
the tones on the negative so the print comes out with the range you
wanted.
Choosing one
Correction curve sits in the options column, above the
divider, because it applies to every file you save rather
than to one frame.
SaltPrint ships with several, named for what they do rather than for a process — the same process behaves differently in different hands. Pick one and watch the preview. They're a starting point, not an answer.
Making your own
- Curve Builder Wizard… — the guided job, and the honest
answer: print a 21-step target, expose and process it, photograph or scan
the result, and it builds a curve from what actually happened. It saves as
it goes, so you can stop after the printing and come back days later. Full
detail on the curve target page.
- Manual Curve… — shape one by hand, with Shadows,
Midtones and Highlights as the handles. Useful when you know what you want
changed and don't need to measure it.
- Import curve file… — bring in a curve you already have,
including ones exported from other software.
A curve and a coloured scale are two levers, not two answers
They work on the same problem from opposite ends, and you can use either,
both, or neither.
- A correction curve changes the tones in the
file. It's precise, it costs nothing to try, and it can only work
with the range your negative is physically able to produce.
- A coloured tonal scale changes how the negative
blocks UV. It can extend that physical range — which is why a colour
sometimes rescues a print no curve could — but it's coarse, and what it
does depends on your printer and your process.
Use a curve on its own if plain black already gives you
the range and you only need to redistribute it. Use a colour on its
own if the negative simply isn't dense enough and you don't yet want
to measure anything. Use both together — the usual end point
— when you've found the colour that gives your process the most to work with,
then measured a curve to place the tones inside it.
The order matters. A measured curve describes the whole
chain that produced it: your printer, your paper, your chemistry and
the scale colour selected when you printed the target. Change the colour
afterwards and the curve describes something you're no longer doing. Settle
the colour with a test sheet first,
then measure the curve — otherwise you'll measure twice.
Managing the ones you've made
Correction Curve ▸ Manage curves… lists your curves and
lets you rename or delete one.
- The name is yours. Curves you make are called what you
call them, and that name is never translated — switch the app to French
and your curve keeps its name. Name them after what they describe: the
paper, the process, the date you measured them.
- Deleting sends the file to the Trash or Recycle Bin,
not into nothing. A curve costs a printed target, a contact print and a
scan, so a mis-click is recoverable — go and fish it out.
- The built-in curves aren't yours to rename or delete.
They're always there as a starting point.
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