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Correction curves

What they do, how to make one, and how to keep them tidy

Printing processes don't respond evenly. Most crush the highlights or block up the shadows. A correction curve compensates — it reshapes the tones on the negative so the print comes out with the range you wanted.

Choosing one

Correction curve sits in the options column, above the divider, because it applies to every file you save rather than to one frame.

SaltPrint ships with several, named for what they do rather than for a process — the same process behaves differently in different hands. Pick one and watch the preview. They're a starting point, not an answer.

Making your own

A curve and a coloured scale are two levers, not two answers

They work on the same problem from opposite ends, and you can use either, both, or neither.

Use a curve on its own if plain black already gives you the range and you only need to redistribute it. Use a colour on its own if the negative simply isn't dense enough and you don't yet want to measure anything. Use both together — the usual end point — when you've found the colour that gives your process the most to work with, then measured a curve to place the tones inside it.

The order matters. A measured curve describes the whole chain that produced it: your printer, your paper, your chemistry and the scale colour selected when you printed the target. Change the colour afterwards and the curve describes something you're no longer doing. Settle the colour with a test sheet first, then measure the curve — otherwise you'll measure twice.

Managing the ones you've made

Correction Curve ▸ Manage curves… lists your curves and lets you rename or delete one.

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